CCM Publisher Warns Of ‘Perjury Pawns’

Writing in the Huffington Post, CCM Publisher Sara Warner notes that a recent bankruptcy case is rocking the world of civil asbestos litigation, one of the leading case-issues in California and nationwide. A federal judge’s order lists problems with the specific case, including “disappearing” of evidence and testimony that seems to contradict other sworn statements involving dozens of bankruptcy trusts. But, she notes, what about the victims? Read the HuffPo piece here.

U.S. Chief Justice Warns Court Cuts Imperil Entire System

In his Dec. 31 “state of the judiciary” report, Chief Justice John G. Roberts Jr. blasted not only the high-profile mandatory budget “sequestration” cuts, but noted that funding has been an issue for more than a decade. While much of the focus was on criminal court challenges, like paying for public defenders, the Chief Justice also noted that “… reductions have created widespread delays in civil and bankruptcy cases.” Over time, he said, these delays will give rise to “commercial uncertainty, lost opportunities and unvindicated rights.”

Here’s The New York Times coverage of the report: http://www.nytimes.com/2014/01/01/us/politics/budget-cuts-imperil-court-system-chief-justice-says.html?_r=0

Family Courts ‘Expose’ on the Big Screen

That new “Divorce Corp.” documentary by Joe Sorge continues to make waves, with Variety saying that its director “… depicts the family court itself as an untrustworthy, user-unfriendly system of so-called justice. Here, they claim, divorcing couples are placed at the mercy of judges who are frequently irresponsible in their judgment; intolerant of those who attempt to navigate the courts without counsel (there are no court-appointed attorneys); and prejudiced in favor of lawyers who ply them with campaign contributions.”

Image from www.divorcecorp.com

Image from www.divorcecorp.com

The trade journal also calls the film a “vigorous but clumsily argued expose of the corrupt family-court practices that have turned one of life’s more painful experiences into a $50 billion-a-year industry.” The movie is in limited theatrical release now and Los Angeles is one of the cities where you can find a showing. Check out the Variety piece for showtimes and the rest of the review here.